If the memorable flayed man of his Last Judgment is any proof, Michelangelo knew how to render the human body so well, he could literally portray it inside out. Image Credit: ©bpk/Metropolitan Museum of Art “Michelangelo and Beyond” at Albertina, Vienna. (The chunkiness of the resulting canvases caused some to group him with the Art Informel movement.) In what Spain is labeling a “Tàpies Year,” the artist is now getting a major retrospective curated by former Museo Reina Sofía director Manuel Borja-Villel the 120-work show travels next to that Madrid museum and then to Tàpies’s foundation in Barcelona. Instead, the Catalan painter frequently worked with materials like sand, tar, hair, and latex, which he shaped into vulgar, textured mixtures that are sometimes accompanied by symbols such as pointing hands. The rough-and-tumble paintings of Antoni Tàpies are among the most unruly produced during the postwar era: they generally don’t make use of oil and rarely conform to the stylistic whims of their moment.
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